Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011. Lizzy Goodman
Meet-Me-in-the-Bathroom.pdf
ISBN: 9780062233103 | 640 pages | 16 Mb
- Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011
- Lizzy Goodman
- Page: 640
- Format: pdf, ePub, fb2, mobi
- ISBN: 9780062233103
- Publisher: HarperCollins Publishers
Free book in pdf format download Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 by Lizzy Goodman 9780062233103 PDB
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 by Lizzy Goodman Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York
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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York
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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York
In this gossip-fueled, engaging oral history, fashion and music journalist Goodman traces New York's tempestuous rock revival at the turn of the 21st century. Although the Lower East Side was Meet Me in the Bathroom: Rebirthand Rock and Roll in New York City 2001–2011. Lizzy Goodman. Dey St
'Meet Me in the Bathroom,' Time Capsule of NYC Rock Scene, to Be
Pulse Films announced on Thursday it has acquired the rights to adapt Goodman's best-selling Meet Me in the Bathroom: Rebirth and Rock & Roll inNYC 2001-2011 into a four-part documentary. The series, expected to be an hour per installment, will combine first-hand testimony and archive footage of
Meet Me in the Bathroom (book) - Wikipedia
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001–2011 is an oral history which details the rebirth of the New York rock scene in the new millennium, written and compiled by music journalist Lizzy Goodman. It was published in May 2017 by Dey Street Books, an imprint of HarperCollins. The book
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 | Lizzy Goodman | ISBN: 9780062233097 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.
Andy's review of Meet Me in the Bathroom: Rebirth and Rock and
The subtitle Rebirth and Rock & Roll in New York City 2001-2011 is a partial misnomer. The ebook version is about 550 pages long. Around 475 of those pages span the years 2000 to 2004 or so, rather than the neater, nicer, more eminently marketable “2001-2011.” Still, Lizzy Gordon's oral history is incredibly structured,
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